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All the side chapels have an identical design, featuring a round-headed picture frame embellished with acanthus leaves which is fitted into the curve of the arch. At the bottom of this is a scallop shell.The first chapel on the right is dedicated to St Eleutherius. The altarpiece of his martyrdom (according to tradition he was clubbed to death) is by Giacomo Zoboli, ca.1700. – Bild från Chiesa di San Giovanni della Pigna, Rom

Foto från : All the side chapels have an identical design, featuring a round-headed picture frame embellished with acanthus leaves which is fitted into the curve of the arch. At the bottom of this is a scallop shell.The first chapel on the right is dedicated to St Eleutherius. The altarpiece of his martyrdom (according to tradition he was clubbed to death) is by Giacomo Zoboli, ca.1700.

Från omdömet : Beautiful and peaceful, this little church is worth a short visit. om Chiesa di San Giovanni della Pigna
All the side chapels have an identical design, featuring a round-headed picture frame embellished with acanthus leaves which is fitted into the curve of the arch. At the bottom of this is a scallop shell.The first chapel on the right is dedicated to St Eleutherius. The altarpiece of his martyrdom (according to tradition he was clubbed to death) is  by Giacomo Zoboli, ca.1700.
All the side chapels have an identical design, featuring a round-headed picture frame embellished with acanthus leaves which is fitted into the curve of the arch. At the bottom of this is a scallop shell.The first chapel on the right is dedicated to St Eleutherius. The altarpiece of his martyrdom (according to tradition he was clubbed to death) is  by Giacomo Zoboli, ca.1700.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
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