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The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross. – Bild från Chiesa di San Giovanni della Pigna, Rom

Foto från : The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.

Från omdömet : Beautiful and peaceful, this little church is worth a short visit. om Chiesa di San Giovanni della Pigna
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
The apse arch matches the triumphal arch. The altar aedicule is coved (concave), fitted against the curved wall.The main altarpiece depicts a youthful St John the Baptist in the Desert and is by Baldassarre Croce, early 17th century.Above the entablature is a framed panel containing a Pietà by Luigi Garzi, 18th century, and above that in turn in the apse conch are a group of stucco putti venerating the Cross.
Sanctuary.The triumphal arch has a molded archivolt which springs from the interior entablature and which is decorated in the same way as the nave vault.The shallow saucer dome of the sanctuary is similarly treated, with the paintwork imitating eight wide ribs. The oculus features the Dove of the Holy Spirit. The pendentives have four tondi with frescoes of the Evangelists, 19th century.
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